Istanbul, February 28, 2025 – Renowned Greek painter Manos Ioannidis, widely known as “the Painter of Colors,” has been awarded the Special Recognition Excellence Award by the World Business Angels Investment Forum (WBAF), an affiliated partner of the G20 Global Partnership for Financial Inclusion (GPFI). The award ceremony took place at an exclusive VIP event […]
On Saturday 18 May 2024, coinciding with the celebration of International Museum Day, the exhibition entitled “The Unknown Masterpiece? The Donation”, curated by the President of the Artistic Committee, Professor Manos Stephanidis. The exhibition will include approximately 60 works of historical importance from the museum’s collections, works from the award-winning works of the first Biennale
In the tapestry of Greek mythology, where the ethereal Muses dance and inspire, Clio emerges as a captivating figure. This article embarks on an exploration of Clio, the Muse of History, unraveling her unique significance, influence, and lasting impact as the guiding force behind the recording and interpretation of our collective past. Clio’s Realm: Clio,
Unveiling Clio: The Muse of History Read More »
2020-2022 was a good period for my Art. I painted in total 176 Artworks, mainly Portraits. A small selection I publish here– All my Artworks are 200×200 cm and they are made with Mixed Media on Canvas
Part of my Artworks I painted 2020-2022 Read More »
The UNESCO Awarded for his Contribution to Art, Painter of Colours Manos Ioannidis, exhibited his works at the Blender Gallery in Glyfada in May 2022. The Professor of Art History at the University of Athens, Author and Art Critic and for 25 years Curator at the National Gallery, Mr. Manos Stefanidis, did him the great
Manos Ioannidis, For the theatricality of the face Art is what is leftfrom the face of God “… My first exhibition was in 1973 at the Art Room at Macedonia Hall of the Anatolia American College of Thessaloniki when I was assigned to decorate the classroom for my class’s graduation ceremony, where I made cartoons
Critique by Manos Stefanidis Read More »
